SPOR08007 2022 Dance

General Details

Full Title
Dance
Transcript Title
Dance
Code
SPOR08007
Attendance
75 %
Subject Area
SPOR - Sport/Rec/Leisure
Department
MKTS - Marketing, Tourism & Sport
Level
08 - NFQ Level 8
Credit
05 - 05 Credits
Duration
Semester
Fee
Start Term
2022 - Full Academic Year 2022-23
End Term
9999 - The End of Time
Author(s)
Marketa Formanova
Programme Membership
SG_BSPOR_H08 202200 Bachelor of Business (Honours) in Sport with Business SG_BBUSI_K08 202200 Bachelor of Business (Honours) in Business L8 (Add-on) DoMTS SG_BBUSI_K08 202200 Bachelor of Business (Honours) in Business L8 (Add-on) DoMTS SG_BSPOR_K08 202200 Bachelor of Business (Honours) in Sport with Business (Add-on)
Description

This module will introduce students to contemporary dance to gain experience in dance practice, develop further physical skills and related subjects of the previous years. It will provide learners to experiment range of dance practices, improvisation techniques and structures in dance composition. This application consider a fact that students are not professional dancers but learners and observers. Beside the acquiring physical abilities students will be encouraged to engage in a critical process of reflective discussions and journal practice. This experience will equip students to use these skills in future studies and/or in educational system. 

Learning Outcomes

On completion of this module the learner will/should be able to;

1.

Identify and synthesise theoretical frames to support them to practice dance skills and compose choreography. 

2.

Embody and perform presented dance practices in development of physical and dance skills, kinetic expression and creativity. 

3.

Explore dance investigation and self-discovery process applying to improvisation structures and dance composition.

4.

Collaboratively revise and create materials of dance practices to design, compose, develop and record variation of compositional methods and devices to interpret choreography in performance. 

5.

Reflectively evaluate overall learning and compare one specific subject of the theoretical framework with personal development/future practice. 

Teaching and Learning Strategies

Students will actively practise team-based learning to identify theoretical frames to support them to synthesise and deepen their physical experience. The class will be designed to engage student into individual experiential and independent learning to deepen understanding and progress on direct experience both physically and orally. Interactive and creative methods will execute individual and collaborative learning. Students will apply critical and reflective learning skills in journal writing to understand their learning process and practice.

Module Assessment Strategies

Students will be assessed on following criteria:

  • class participation, active engagement and individual progress;
  • individual/collaborative integration and exploration of dance practices, compositional methods and creativity;
  • research presentations;
  • engagement in creative process and the evaluation of dance performance;
  • reflective discussion and journal practice will be assessed during the class by continuous assessment and the final workbook and written assignment will be submitted and assessed in the end of semester.

Repeat Assessments

Student must pass theory and practical classes. 

If high number of student's absence in practical classes lecturer/exam board may recommend the module repeat. 

If student miss more than 4 lectures, he/she must submit additional assignment covering absented theory. 

Students will be given the opportunity to perform their group project - choreography on one occasion only. If student will not attend the assessment presentation from real problem, he/she will be assessed on solo/duet project involving choreographic components.

Failed Reflective Essay must be repeated if the overall module's mark failed. 

Indicative Syllabus

The syllabus employs integration of mix dance practices, techniques, dance improvisation and dance composition to embodied movement education and build awareness in structures of dance. It provides the support of engagement in creative dance process and making the choreography to take this knowledge to future studies and/or educational practice.

Theoretical framework and discussions will be part of the dance module to increase active involvement in understanding and practising of dance. Students will document and reflect on their physical and intellectual learning and development within their Journals (Workbook). The extracts from Journals will be analysed during selected classes to benefit students’ learning. This reflective practice will lead to final critical evaluation on complex learning and personal growth in relation to future practice in the form of Reflective Essay. The Workbook and Reflective Essay will be submitted in the end of the semester.  

This module works with three main areas:

Area 1: Theory (LO1, 2, 3, 4, 5) 

The lecture class will present theoretical frameworks, which will allow students to gain overview of contemporary dance and understand the dance form upon which this modern dance was built. The concept of the class will help student to understand their experience in practical class. It will also concern the importance of dance practice in education as a part of the physical education and human cultivation.

Theoretical frameworks;

1. Meaning of Dance and Introduction to Dance in Education

1.1 Features of dance

1.2 Genres of dance

1.3 Benefits of dance

1.4 Position of dance in physical education

2. Introduction to History of Contemporary Dance

2.1 Modern dance history

2.2 Postmodern Dance history

2.3 Contemporary Dance today

3. Dance Practices

3.1 Modern Dance techniques

3.2 Dance and Contact Improvisation 

3.3 Creative Movement

3.4 Somatic Practice

4. Creating and Composing Dance

4.1 Making dances

4.2 Compositional Devices

4.3 Reflecting and writing dances

 

Area 2: Dance Practices (LO 1, 2, 3, 5)

The focus will be on individual development of fitness, movement and dance skills and engagement in dance practices and improvisation. The learners will experience, analyse and evaluate fundamentals of dance and mix of techniques/principles such as: Contemporary Dance/Duncan/Laban/Release/Contact Improvisation/Somatic Practice etc. The movers will learn and expand dance sequences based on explored practices. Each student will experiment with movement ideas emerged from varieties of dance exercises and improvisation techniques as a vehicle for self-expression, creativity and mental acuity. 

Area 3: Dance Composition - Choreography (LO 1, 4, 5)

The focus will be on collaborative development of using achieved dance skills to create a Dance Composition. Students will be organised into groups and they will be encouraged to compose and perform their own dance piece. Learning and utilising choreographic devices will allow students to develop their dance towards the performance.The composition will include varieties of components which choreographic process employ. A collection of choreographic journals (process documentation) will result in writing compositional structure of the Choreography. 

Coursework & Assessment Breakdown

Coursework & Continuous Assessment
100 %

Coursework Assessment

Title Type Form Percent Week Learning Outcomes Assessed
1 Individual Project Coursework Assessment Practical Evaluation 40 % OnGoing 1,2,3
2 Choreographic Process & Presentation Coursework Assessment Group Project 35 % OnGoing 1,4
3 Journals and Reflective Essay Coursework Assessment Assignment 25 % End of Semester 1,5

Full Time Mode Workload


Type Location Description Hours Frequency Avg Workload
Supervision MPC Hall Dance Practice 3 Weekly 3.00
Tutorial Flat Classroom Tutorial - Team Learning 1 Weekly 1.00
Independent Learning MPC Studio Project Development 3 Twice Per Semester 0.40
Independent Learning Not Specified Self-Evaluation 1 Weekly 1.00
Independent Learning Not Specified Research and Practice Development 2 Weekly 2.00
Total Full Time Average Weekly Learner Contact Time 4.00 Hours

Required & Recommended Book List

Required Reading
2010-08-03 Dance Composition A&C Black
ISBN 9781408115640 ISBN-13 1408115646

The latest edition of this highly regarded text on choreography by a world-leading dance educator.

Required Reading
2013-12-02 Beginning Modern Dance With Web Resource Human Kinetics
ISBN 9781450405171 ISBN-13 1450405177

Provides a multilayered learning experience for undergraduate and high school students. Students can practice beginning modern dance technique using the books 50 photos. A web resource with 38 video clips and photos can be purchased separately. E-journal assignments, performance critiques, quizzes, and a glossary are also included in the web resource.

Required Reading
2014-04-23 Discovering Dance Human Kinetics
ISBN 9781450468862 ISBN-13 1450468861

Discovering Dance opens up a world of opportunities for high school students who have little or no dance experience. The text, available in print and electronic forms, helps students understand the fundamentals of creating, performing, analyzing, understanding, responding to, connecting with, and evaluating dance in its various genres. It meets national and state dance education standards and addresses 21st-century learning goals. As such, it offers a complete introductory dance curriculum with the flexibility of being used for one or more years of instruction.

Required Reading
2020-10-22 Dance Teaching Methods and Curriculum Design Human Kinetics Publishers
ISBN 9781492572398 ISBN-13 149257239X

Dance Teaching Methods and Curriculum Design, Second Edition, presents a comprehensive model that prepares students to teach dance in school and community settings. It offers 14 dance units and many tools to help students learn to design lesson plans and units and create their own dance portfolio

Required Reading
2010 Writing about Dance Human Kinetics Publishers
ISBN 0736076107 ISBN-13 9780736076104

This comprehensive guide provides students with instructions for writing about dance in many different contexts. It brings together the many different kinds of writing that can be effectively used in a variety of dance classes from technique to appreciation.

Module Resources

Non ISBN Literary Resources

Yeats Library, IT Sligo: https://library.itsligo.ie/  (hardcopy/e-book formats)

Additional reading will be provided at the class.

Recommended books:

  • Anderson J., (2018), Ballet & Modern Dance: A Concise History, Princeton Book Co.
  • McCutchen B. P., (2006), Teaching Dance as Art in Education, Human Kinetics
  • Pallant Ch., (2006), Contact Improvisation: An Introduction to a Vitalizing Dance Form, McFarland & Co; Illustrated edition 
  • Novack C. J., (2014), Sharing the Dance: Contact Improvisation and American Culture, University of Wisconsin Press
  • Brodie J., (2014), Dance and Somatics: Mind-Body Principles of Teaching and Performance, Mc Farland & Company, North Carolina
  • Franklin, N., (2012). Dynamic Alignment Through Imagery. Human Kinetics
  • Iengar B.K.S., (2006), Light on Yoga: The Classic Guide to Yoga by the World's Foremost Harper Collins Publishers
Journal Resources

Academic Journal Articles at digital library of JSTOR: https://www.jstor.org/ (access provided by IT Sligo)

Additional reading will be provided at the class. 

URL Resources
Other Resources
Additional Information