LITT07017 2019 Writing and Practice: Playwriting
This module is about learning to write plays for stage. Learners will write play scripts through the exploration of the craft of playwriting including dialogue, narrative voice, character, plot, structure, language, and setting. The module is facilitated through a workshop environment where learners present their weekly work to the class and receive feedback from the tutors and other students. Participants will build up a portfolio of their learning which will culminate in re-edits of their work, a reflective piece of writing on their learning, and a rehearsed reading of their work at the end of the semester.
Learning Outcomes
On completion of this module the learner will/should be able to;
demonstrate an understanding of the craft and technique of playwriting through the development of their own work;
Critically evaluate their own work and that of others;
Situate their work within the broad context of the respective media of theatre
Understand the role of the writer in the professional context of the stage
Use the appropriate industry format and conventions associated with writing for the stage
Understand different dramatic genres relevant to playwriting;
Develop their own creative voice with a view to a realisation of their work for performance;
Develop skills in collaboration with other creative partners, directors, dramaturgs, designers and cast.
Demonstrate the necessary research for writing;
Teaching and Learning Strategies
A series of guided lectures will introduce students to the history and practice of the theatre industry. The principal activity will be workshops where students will participate in writing, editing and sharing their work. Students will respond critically to their written work and that of others. The students will be expected to write independently and engage in guided independent study. We will have presentations from visiting industry professionals as well as going to see productions currently showing during the course of the semester. Students will document their learning in their reflective portfolios of work.
Module Assessment Strategies
- Weekly writing tasks
- Critical/analytical tasks
- Presentation - Directed reading
- Portfolio of writing - samples of stage plays, scene analysis, written assignments, reflective commentaries
- Attendance and engagement with the class
Repeat Assessments
Repeat attend
Indicative Syllabus
This module will examine in theory and in practice the following:
- The development of plays
- Treatment for plays
- Script analysis, discussion of characterisation, story lines, setting, script realisation
- The role of the playwright for stage - movement, sound, space, lighting, technology.
- Actors, designers, directors and the dramaturg in realising the script for performance
Coursework & Assessment Breakdown
Coursework Assessment
Title | Type | Form | Percent | Week | Learning Outcomes Assessed | |
---|---|---|---|---|---|---|
1 | Assessment | Coursework Assessment | Assessment | 70 % | OnGoing | 1,2,4,6,9 |
2 | Written plays | Project | Assignment | 20 % | End of Term | 1,2,4,5,6,9 |
3 | Reflective writing | Project | Assignment | 10 % | End of Term | 3,4,5,6,7,8,9 |
Required & Recommended Book List
20/01/2019 Playwrights on Playwriting Cooper Square Press
20/01/2019 The Art and Craft of Playwriting Story Press
20/01/2019 A Practical Guide to Becoming a Playwright Andrew Biss
20/10/2019 So You Want to be a Playwright Nick Hern
Module Resources
Reid Plays: 1: Tea in a China Cup, Did You Hear the One About the Irishman...?, Joyriders, The Belle of the Belfast City, My Name, Shall I Tell You My ... City, Clowns Vol 1 (Contemporary Dramatists) Paperback – 12 May 1997 by Christina Reid
The Complete Dramatic Works of Samuel Beckett (Faber Drama) 5 Jan 2006
Marina Carr: Plays 2: On Raftery’s Hill; Ariel; Woman and Scarecrow; The Cordelia Dream; Marble (Ff Contemporary Classics)15 Oct 2009
Marina Carr Plays 1: "Low in the Dark", "The Mai", "Portia Coughlan", "By the Bog of Cats" v. 1 (Contemporary Classics)1 Jan 1900
Walsh Plays: One (Bedbound, Chatroom, Disco Pigs, Misterman)10 Feb 2011
Deirdre Kinahan, Halcyon Days. (Nick Hern Books 2012)
Hickson, Ella. Eight (monologues) (NHB Modern Plays) Paperback – 2 Jul 2009
Ravenhill, Mark. Plays 2. (Methuen 2008)
Penelope Skinner, Meek. (Oberon Books, 2018)
Christian O'Reilly. The Good Father (Dramatists Services Inc. 2014)
JSTOR - in itsligo library
Playwrights podcast - https://royalcourttheatre.com/podcasts/
Playwriting podcast - Player FM - https://player.fm/podcasts/playwriting
https://itunes.apple.com/us/podcast/the-playwriting-podcast/id1253240179
Irish playwright talk about their process and work - http://www.podcasts.ie/featured-writers/featured-playwrights/
Black Box space for break out readings
N/A