CRPR06005 2022 Creative Practice for Social Care 1: Introduction
Using a Social Pedagogy approach, this module will incorporate a holistic approach to learning through the development of The Head (cognitive knowledge i.e. theories of creativity), The Heart (emotional/social development and an introduction to reflexive practice within creative engagement) and The Hands (utilising creative materials and methods).
This module maps to the CORU Standards of Proficiency below:
Domain 1: Professional Autonomy and Accountability
Domain 2: Communication, Collaborative Practice and Teamworking
Domain 5: Professional Knowledge and Skills
Learning Outcomes
On completion of this module the learner will/should be able to;
Demonstrate engagement with a variety of creative activities (Domain 2.13, 5.6)
Utilise playful processes as a means of problem-solving (Domain 1.23, 5.6)
Identify two discipline specific, theoretical frameworks that link to professional creative practice (Domain 5.16)
Show an understanding of the ancillary learning opportunities that creative engagement can provide in the early years and social care setting (Domain 1.23, 5.8)
Identify the benefits of creative engagement for psychsocial well-being (Domain 5.8, 5.6)
Reflectively evaluate her/his learning and skills acquisition (Domain 1.18, 1.22, 5.9)
Teaching and Learning Strategies
Module content and assessment will be developed and delivered in accordance with the Principles of Universal Design for Learning (UDL) to support student's diverse learning styles, and in accordance with a variety of arts-based methodologies.
Module Assessment Strategies
Project Work
This modules assessment allows for assessment of CORU Standards of Proficiency as follows:
Project work (Domain 1:18, 1:22, 1:23, 2:13, 5.6, 5:8, 5.9, 5:16,)
Repeat Assessments
To be decided at Exam Board
Indicative Syllabus
Demonstrate engagement with a variety of creative activities
Students will engage in a wide range of creative activities reflecting different learning styles and in accordance with UDL including but not limited to movement, voice, colour, painting, print, collage, environmental art, group work,
Utilise playful processes as a means of problem-solving
In developing practical understanding of the Social Pedagogic Theory - The Common Third, students engage in a variety of creative group projects, games and tasks. Through bonding with their own newly acquired student cohort, students are supported in developing a deep and personal understanding of the benefits of creative engagement for social connection and personal wellbeing.
Identify two discipline specific, theoretical frameworks that link to professional creative practice
Through practical engagement, text and film, students are introduced to the Social Pedagogy's - Common Third and Universal Design, and how these theoretical concepts integrate the principles of social care with creative practice e.g. how creative engagement facilitates social connection and how practices and environments can be adapted to maximise inclusion.
Show an understanding of the ancillary learning opportunities that creative engagement can provide in the early years and social care setting
Through discussion and demonstration students are introduced to the ancillary benefits of creative engegement in early years including development of fine and grose motor control, awareness of colour, texture, shape and pattern, the role of drawing in development of writing skill, the effectiveness of creative engagement in developing imagination and abstract thinging, and the benefits of creative engagement for health and wellbeing for naurotypical and neurodivergent children.
Identify the benefits of creative engagement for psychsocial well-being
Following an exploration of theory and practice students reflect on their own experiences of creative practice and how engagingin creative practice and facilitated their social connection and wellbeing.
Reflectively evaluate her/his learning and skills acquisition
Through the writing of reflective essays (reflective overview) and compiling a variety of creative log books and learning diaries (daily reflections) students catalogue their creative skills and learning into a practice toolkit which they can use to inform where, when, how and with whom this diverse range of skills / activities might be applied.
Coursework & Assessment Breakdown
Coursework Assessment
Title | Type | Form | Percent | Week | Learning Outcomes Assessed | |
---|---|---|---|---|---|---|
1 | Practical | Coursework Assessment | Project | 50 % | Week 13 | 1,2,3,4,5,6 |
2 | Theory & Practice | Coursework Assessment | Project | 50 % | Week 15 | 1,2,3,4,5,6 |
Full Time Mode Workload
Type | Location | Description | Hours | Frequency | Avg Workload |
---|---|---|---|---|---|
Workshop / Seminar | Studio | Practical | 6 | Weekly | 6.00 |
Module Resources
Cattanach, A. (1996) Drama for people with Special Needs. London: A&C Black
Graves, M. (1997) 100 Small Group Experiences. High/Scope Press.
Farmer, D. (2011) Learning through Drama in the Primary Years. England: Lulu
Lyons. D. (Ed)(2010) Creative Studies for the Caring Professions. Dublin:Gill & Macmillan.
Poulter, C. (1987) Playing the Game. London: Palgrave Macmillan
Winston, J. Tandy, M. Beginning Drama 4-11. (3rd edition) London: Routledge.
Wright, S. (2003) The Arts, Young Children and Learning. Pearson Education Inc.
Supplementary reading:
Gauntlett, D. (2011) Making is Connecting: The Social Meaning of Creativity, from DIY and Knitting to YouTube and Web 2.0 Cambridge: Polity Press
Guinness, B. 1996 Family Gardens: How to Create Magical Outdoor Spaces for All Ages . David and Charles Publishing
White, L. (ed.) 2010 Kickstart Music Early Years: Music Activities Made Simple. A& C Black Publishers Ltd.