ARCT07026 2019 Technology Studio 3

This module will focus on the integration of architectural technologies into the design process from an early stage for complex new build and heritage buildings. The module will be linked to Design Studio to explore topics such as site strategy, environmental issues, structural design systems, building fabric, building services, and technical guidance documents, and how they integrate and inform the design process. The module will develop the learners knowledge of traditional built fabrics, materials and techniques, the causes and mechanisms of failure, and will explore both traditional as well as advanced ways to repair, preserve and adapt heritage buildings. The module will also develop the learners knowledge of retrofitting for energy performance for historic structures, including the appropriate selection and integration of building services in historic and traditional buildings.

The author comprehensively surveys the fundamental principles of conservation in their application to historic buildings, and provides the basic information needed for the solution of problems of architectural conservation in almost every climatic region of the world.

Drawing on five generations of family tradition as stonemasons in his native Scotland, Ian Cramb created this masterful work to pass on his knowledge and experience to craftsmen who wish to learn the ancient, but still necessary, principles of the stonemason's art. Since original publication by Betterway Books in 1992, this book has established itself as an essential learning tool for masons doing new construction and also those engaged in restoration of historic stone structures. Beginning with a detailed discussion of building with "random rubble," which is the name for the early Celtic art of building with irregular stones bedded on mortar, the author proceeds to more complex projects such as fireplaces, stairs, arches, bridges and more. There is extensive treatment of various restoration techniques involved with historic structures both in the US and Britain, some as old as 1000 years. In additon the author covers various types of stone, stone-cutting, etc. as well as using tradional mortar mixes, which have demonstrated their utility in stone walls and buildings which have lasted for many centuries. The Art of the Stonemason is profusely illustrated with the author's meticulous line drawings and photographs. Ian Cramb began his apprenticeship at the age of 14 in Dunblane, Scotland. Surrounded by large estates, farm buildings, a ruined 13th century bishop's palace, two large fifteenth century castles, a Gothic cathedral, and numerous other stone buildings, Dunblane was an apprentice stonemason's paradise. In 1957 Mr. Cramb took over as master stonemason on the restoration of the monastic buildings around the abbey on Iona. He rebuilt the cloisters, restored St. Michael'sChapel, and also restored St. Oran's Chapel in the Cemetary of Kings, built in 1075. In 1959 Mr. Cramb moved to the US where he set stone and marble on the Capitol building, and then he acted as stone and marble mason for the Raeburn Building and World Bank Building in Washington, DC. He now lives in Bangor, Pennsylvania.

How to build, conserve or renovate stone buildings in the authentic way.

The first title in a new series aimed at sharing best practices in the conservation of modern heritage. This timely volume brings together fourteen case studies that address the challenges of conserving the twentieth centurys most ubiquitous building materialconcrete. Following a meeting of international heritage conservation professionals in 2013, the need for recent, thorough, and well-vetted case studies on conserving twentieth-century heritage became clear. Concrete: Case Studies in Conservation Practice answers that need and kicks off a new series, Conserving Modern Heritage, aimed at sharing best practices. The projects selected represent a range of building typologies, building uses, and project sizes, from the high-rise housing blocks of Le Corbusiers Unit dHabitation and public buildings such as the Londons National Theatre to small monuments such as the structures at Dudley Zoological Gardens and a sculpture by Donald Judd. The projects also represent a range of environmental and economic contexts. Some projects benefit from high levels of heritage protection and access to funding, while others have had to negotiate conservation with stringent cost limitations. All follow a rigorous conservation approach, beginning with a process of investigation and diagnosis to identify causes and target repairs and balancing these with conservation requirements to preserve significance. Written by architects, engineers, conservators, scholars, and other professionals in the field, these highly detailed and well-illustrated studies demonstrate sound practice, rigorous methodology, and technological innovation and represent the vibrancy of the field as it stands today. This book has something to offer anyone interested in the conservation of modern heritage.

This book provides a summary of the historic evolution of pedagogical approaches to building conservation. It details the legislative frameworks and their impact on the historic environment, discusses the various actors involved along with their roles and responsibilities and examines how conservation policies are implemented.

Cambridge's Jacques Heyman provides a thorough and intuitive understanding of masonry structures, such as arch bridges, Greek temples, and Gothic cathedrals. Although his approach is firmly scientific, Heyman does not use complex mathematics. Instead, he introduces the basis of masonry analysis, then considers individual structures, through lucid and informative text. 5 photos. 100 line diagrams. 3 tables.

Mortars, Renders and Plasters provides a broad perspective of contemporaryconservation theory and practice not otherwise found in one publication, describing the history,physical properties, and deterioration of these important materials. Methods of assessing condition and evaluating options for treatment and repair are discussed, together with a range of practical conservation techniques and maintenance strategies.

A revised and expanded edition of an internationally prize-winning volume is an academic study of the aesthetic properties of buildings that considers topics ranging from building materials and methods to space creation and leading architectural examples, in a volume that also adds new coverage of glass and other translucent materials.

Structure As Architecture provides readers with an accessible insight into the relationship between structure and architecture, focusing on the design principles that relate to both fields. Over one hundred case studies of contemporary buildings from countries across the globe including the UK, the US, France, Germany, Spain, Hong Kong and Australia are interspersed throughout the book. The author has visited and photographed each of these examples and analyzed them to show how structure plays a significant architectural role, as well as bearing loads. This is a highly illustrated sourcebook, providing a new insight into the role of structure, and discussing the point where the technical and the aesthetic meet to create the discipline of 'architecture'. * Presents a comprehensive analysis of how building structure contributes to architecture * Connects architectural design ideas and structure in the context of contemporary architecture, materials and structure * Highly illustrated, providing a sourcebook of architectural and engineering design ideas

"Reviews recent built works and extract underlying principles that can be the basis for new patterns or for additional aspects of existing patterns"--

Since the publication of the 1st edition in 2002, there have been significant developments in the number of courses, the profile of the discipline as well as significant changes in the construction sector. This 2nd edition addresses these challenges directly.

see book list

see module handbook

https://iarc.ie/

https://www.igs.ie/

http://www.dublincivictrust.ie/conserve-your-building/building-conservation

https://www.english-heritage.org.uk/

https://www.historicenvironment.scot/

Moodle

Refer to Architecture Space and Resource provision Handbook.

Dedicated studio space for each student registered on the the academic year of the BArch programme.

Including but not limited to: 

Drawing Board, Layout space, wall space, drawing/model storage, materials storage.

Printing and scanning facilities (A0, A1, A2, A3).

Model Making benches, cutting surfaces, hand tools, lazer cutters, 3Dprinters

Technology/Materials Lab

Critique space

General and Archive storage.