ARCT06004 2019 Architectural Design Studio 1

Design studio forms the core element of Architecture at IT Sligo, with each of the design studio projects exploring the four philosophical vision points that characterise the programme. Design studio projects address design issues of relevance to the region and are integrated into the local area from a social, environmental, historical, and cultural perspective. Project types include existing buildings, extensions and new build and range from projects sited in extreme locations to those in villages, towns, Irish and European cities. They aim to give the student exposure to a range of project types including community engagement, multidisciplinary projects, live projects and public exhibition and to engage imagination, creativity, analysis and critical judgement in resolving design issues.

Architectural Design Studio 1 is an introduction to the understanding, interpretation, analysis and communication of design ideas and to the stages of the design process. The module will explore human scale, needs and experience as well as concepts of spatial enclosure and form. Basic representation methods are introduced and developed through design projects sited in both rural and urban environments. The focus of the studio module is on concepts of dwelling, and examines thresholds between living, working and public interface. An awareness of the transformative power of architecture is developed through analysis of architectural typologies.

"This is an introduction to the basic vocabulary of architectural design, updated with new information on emerging trends and recent developments. The book is a visual reference that helps both students and professionals understand the vocabulary of architectural design by examining how space and form are ordered in the environment"--

Now students of architecture and interior design can get a full introduction to interior architecture and its history in one authoritative volume. The Fundamentals of Interior Architecture, the first in a series on the subject, is also the only book on the market that approaches the topic in a detailed, educationally focused way. Whether "home" is the simplest railroad flat or the halls of Versailles, interior architecture reflects our times. Discover the intriguing past and the exhilarating present of architectural interiors and furnishings, drafting and presentation skills, space planning, materials, lighting design, professional practices, 2D design, color theory, 3D design, drawing and illustration skills, and the use of CAD. A great price and handy paper binding make this book a must-have for everyone interested in how we live and work today.

Third in the Key series, this book features 95 buildings of the early twenty-first century ... Each of the buildings is illustrated with one or two full-color photographs and accurate scale floor plans, elevations, and sections, as appropriate.

This practical foundation course in architectural design offers key advice on the principles, practice and techniques of the subject. Dealing with much more than just the technical aspects of drawing, it introduces the reader to the visual language of architecture, encouraging them to think spatially and question the built environment. All architecture students, and anyone interested in the creative side of architecture, will find this book an invaluable tool and reference.

Clear and accessible, Analysing Architecture opens a fresh way to understanding architecture. It offers a unique 'notebook' of architectural strategies to present an engaging introduction to elements and concepts in architectural design. Beautifully illustrated throughout with the author's original drawings, examples are drawn from across the world and many periods of architectural history (from prehistoric times to the recent past) to illustrate analytical themes and to show how drawing can be used to study architecture. Since its first edition appeared in 1997, Analysing Architecture has established itself internationally as one of the key texts in architectural education. This third edition includes a new section discussing the ways analyzing examples cultivates a capacity for design. Original chapters have been expanded, new case studies added, and the format rearranged for additional clarity. The bibliography of recommended supplementary reading has also been extended. In Analysing Architecture, Simon Unwin clearly identifies the key elements of architecture and conceptual themes apparent in buildings and relevant to other works of architecture such as gardens and cities. He describes ideas for use in the active process of design. Breaking down the grammar of architecture into themes and 'moves', Unwin exposes its underlying patterns to reveal the organizational strategies that lie beneath the superficial appearances of buildings. Exploring buildings as results of the interaction of people with the world around them, Analysing Architecture offers a definition of architecture as 'identification of place' and provides a greater understanding of architecture as a creative discipline. This book presents a powerful impetus for readers to develop their own capacities for architectural design. It will also be of use to all those with an interest in the human occupation of and involvement with space anthropologists, archaeologists, film-makers, installation artists, planners, urban designers, politicians. A companion website will be available at www.routledge.com/textbooks/9780415489287.

Featuring more than 100 of the most significant and influential buildings of the twentieth century, this book includes both classic works by such seminal architects as Le Corbusier, Frank Lloyd Wright, Mies van der Rohe and Alvar Aalto, as well as those by more recent masters, such as Norman Foster, Frank Gehry and Rem Koolhaas. For each of the buildings included there are numerous, accurate scale plans showing each floor, together with elevations, sections and site plans where appropriate. All of these have been specially commissioned for the book and are based on the most up-to-date information and sources. There is also a concise text explaining the significant architectural features of the building and the influences it shows or generated, together with full-colour images. Cross-references to other buildings in the book highlight the various connections between these key structures. This second edition features 8 new buildings, and 16 additional pages. It also has some additions to the information and images on many of the buildings from the first edition. It has a new introduction and a new jacket.

This inspiring book chronicles the most influential ideas that have shaped architecture. Entertaining and intelligent, it provides a concise history of the subject, and is also a fascinating resource to dip into. Arranged in a broadly chronological order to show the development of architecture, the ideas that comprise the book include innovative and influential concepts, technologies, techniques and movements. Each idea is presented through interesting text and arresting visuals, and explores when the idea first evolved and the subsequent impact it has had up to the present day.

This guide offers an introduction to using graphic tools and drafting conventions to translate architectural ideas into effective visual presentations, using drawings to illustrate the topic effectively. This updated edition includes new information on orthographic projection in relation to 3D models, and revised explanations of line weights, scale and dimensioning, and perspective drawing to clarify some of the most difficult concepts. New examples of modern furniture, APA facilities, and presentation layout provide more up-to-date visuals, and the Reference Center features all new animations, videos, and practice exercises.

This book examines the future of construction and materiality in architecture whilst considering aspects of structure construction and sustainability.

Alvar Aalto once argued that what mattered in architecture wasn't what a building looks like on the day it opens but what it is like to live inside it thirty years later. In this book, architect and critic Robert McCarter persuasively argues that interior spatial experience is the necessary starting point for design, and the quality of that experience is the only appropriate means of evaluating a work after it has been built. McCarter reveals that we can't really know a piece of architecture without inhabiting its spaces, and we need to counter our contemporary obsession with exterior views and forms with a renewed appreciation for interiors. He explores how interior space has been integral to the development of modern architecture from the late 1800s to today, and he examines how architects have engaged interior space and its experiences in their design processes, fundamentally transforming traditional approaches to composition. Eloquently placing us within a host of interior spaces, he opens up new ways of thinking about architecture and what its goals are and should be.

Since the book's first publication, interest in the role of the body and the senses has been emerging in both architectural philosophy and teaching. This new, revised and extended edition of this seminal work will not only inspire architects and students to design more holistic architecture, but will enrich the general reader's perception of the world around them. The Eyes of the Skin has become a classic of architectural theory and consists of two extended essays. The first surveys the historical development of the ocular-centric paradigm in western culture since the Greeks, and its impact on the experience of the world and the nature of architecture. The second examines the role of the other senses in authentic architectural experiences, and points the way towards a multi-sensory architecture which facilitates a sense of belonging and integration.

A classic examination of superb design through the centuries.

This book uniquely brings to bear questions of urgent cultural relevance on critical design decisions. As such, it is of as much importance to architects, planners and students of design, as to students of cultural history, geography and film.

"This book aims to counter the tendency to think materials as a 'technical' issue by addressing the subject historically and critically, linking cultural ideas to technical means. It will serve as a stimulating primer, richly illustrated with detailed close-up photography and inspirational examples and quotations." - back cover.

Recommended reading:

Ching, F.D.K., (2014). Form, space and order (4th ed). London, UK: John Wiley & Sons.

Dunster, D. (1990). Key buildings of the twentieth century. London, UK: Butterworth.

Farrelly, L. (2007). The fundamentals of architecture. Lausanne, Switzerland: AVA.

Gregory, R.  (2008). Key contemporary buildings: plans, sections and elevations. USA: W.W. Norton.

Gorman, A, & Delaney, M. (2011). Studio craft and technique. Dublin, Ireland: University College Dublin.

Norberg-Schulz, C. (1993). Concept of dwelling. New York, USA: Rissoli.

Unwin, S. (2004). Analysing architecture. Abingdon, UK: Routledge.

Weston, R. (2004). Plans, sections and elevations: key buildings of the twentieth century. UK: Laurence King.

Weston, R (2011). 100 ideas that changed architecture. London, UK: Laurence King Publishing.

Zell, M. (2008). The architectural drawing course. USA: Thames and Hudson.

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